Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R: A Review and Comparison with Other Synthesizer Plugins
Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R: A Next-Generation Synthesizer Plugin for Professional Sound Design
If you are looking for a powerful, versatile, and innovative synthesizer plugin that can help you create any sound imaginable, you might want to check out Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R.
Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R
Massive X is the successor of the legendary Massive, a synthesizer that helped define the sound of modern genres such as dubstep, EDM, trap, and more. Massive X takes the concept of wavetable synthesis to a new level, offering pristine sound quality, huge creative flexibility, and an intuitive interface that lets you explore, modulate, and experiment with sound in any way you like.
In this article, we will take a look at the features, benefits, installation, and usage of Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R, a cracked version of Massive X that was released by Team V.R in January 2020. We will also provide some tips and tricks for sound design, as well as some resources and tutorials for learning Massive X.
Features of Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R
Massive X v1.2.1 AAX VSTi WiN x64 CE-V.R is packed with features that make it a powerful tool for sound design. Here are some of the main features that you can find in this plugin:
Oscillators and Noise
The heart of Massive X is its two wavetable oscillators, which allow you to create and shape sounds with a huge selection of wavetables and countless different ways of using them. You can choose from various modes, such as standard, bend, mirror, wrap, articulation, gorilla, formant, utility, remap, or user-defined wavetables. You can also morph between wavetables using different shapes or custom curves.
Besides the wavetable oscillators Besides the wavetable oscillators, you can also add noise to your sound with the noise generator, which offers various types of noise sources, such as white, pink, brown, metallic, crackle, air, tape, or user-defined samples. You can also modulate the noise with different modes, such as filter, sample and hold, or granular.
Another way to sculpt the sound is with the filters, which can be inserted in parallel or serial mode in the signal chain. Massive X offers a wide range of filters and sub-modes, such as low-pass, high-pass, band-pass, band-reject, comb, scream, acid, blue monark, phase modulation, or user-defined filters. You can also adjust the cutoff, resonance, drive, feedback, and mix parameters of each filter.
To add some extra flavor to your sound, you can insert effects and additional oscillators in the signal chain. Massive X has three effect slots that can host various effects, such as delay, reverb, chorus, flanger, phaser, distortion, frequency shifter, ring modulator, or user-defined effects. You can also add a third wavetable oscillator or a phase modulation oscillator for more sonic possibilities.
The voice page is where you can control the voice parameters of Massive X, such as polyphony, glide, pitch bend range, and tuning. You can also crossfade between unison and chord modes with the voicing knob. Unison mode allows you to stack multiple voices of the same sound with different detune and stereo spread settings. Chord mode allows you to play chords with one note by selecting from various chord types and inversions.